Bhu Asana II
This collection explores the relationship between Bhu (ground) and the Act of Asana (sitting).
Taleen Asandi
It is visualized as a sculpture during the day and transforms itself into an essential lighting feature in the evening.
Kantha
Kantha, one of the oldest forms of embroidery from India and a craft practiced today by millions of South Asian women, originated from the most humble of beginnings.
Tamoshi Deepa I
It uses the context to light up the space, poetically existing as a permanent silhouette.
Namra Asandi
As an ode to the Indian Classic Nilkamal Chair we wanted to explore the simplicity of the piece through its graceful form and tried to capture the Namrata (Visual Softness) of the Asandi (Seating).
The Vernacular Modern
Craft defines not only cultural moorings but also the search for economic sustainment.
Bhramana Asandi 1
Pushing the limits of the design to make ever more thinner but sturdier furniture.
Laya Shayannya
Deep and sound sleep is the cornerstone of a complete and content day-to-day life.
Akhandit Sandhara
The narrative of unity in diversity, this walnut and rosewood table intends to bring order amidst the diverse materials.
Khandit Asandi
One of the five chairs is made from the same parent Indian Walnut slab with a rosewood framework.
